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▼Cathyさん：
>In KT, I think Sato Koichi said "I am thirsty, a cup
>of cold beer would be nice." in Korean. (After getting out
>of the car that kidnapped Kim Dae-jung) ^^)
そんなシーンありましたっけ？
思い出せない。いいかげんなファンだ。
そうか、映画の台詞にあったんですね。
>Korea officially opened its door to J-Culture quite lately,
>I think in 1999. J-drama and movies are not too popular but
>there are quite a few who enjoy watching them.
実は私は２０年以上も前の大学時代韓国に行ったことがあります。
（歳がばれる！）
1ヶ月程滞在して、その時に現地の大学生の方々と過ごした思い出は
私の青春の最も大切な思い出のひとつですが、
当時はまだ日本文化は全く解禁されておらず、
私的に日本の歌を歌うことさえも許されない状況だったので
現在の韓国における日本文化の様子がとても興味ありました。
>I personally think that Sato Koichi's Korean equivalent
>would be CHE MINSIK(チェ・ミンシク). His movie OLD BOY
>opened recently in Japan. It is based on a Japanese
>manga and won Cannes awards this year. He looks more
>old, but is about two years younger than Sato Koichi,
>was a young heartthrob in 1980's, became a leading actor
>with ENGIRYO in 90's and is a top-level actor now.
韓国映画は大好きです。
「オールドボーイ」も見たいと思っていたので
Cathyさんの指摘を読んで益々見る気になりました。
>I was very happy to see Sato Koichi eat KANI-CHIGE
>in the commercial. Thanks to this site I get news
>updates very easily. His Korean is very nice. I don't
>know why, but when Japanese men speak in Korean,
>although they sound perfectly nice in Japanese
>they suddenly turn very "GAY" and speak like a Korean
>OKAMA. (e.g. Kusanagi Tsuyoshi and Morita Kandoku)
>My guessing is that they are YASASHISUGI when
>they speak in Korean. Sato Koichi's Korean is amazing
>not only in prounciation but also in vocalization.
>Not many can sound charismatic in a foreign language.
>He's Korean was excellent in KT. His English was
>also very good, so I think he has a natural
>talent for foreign languages. You are so lucky to
>have a native star like him. URAYAMASHI!!!
私も韓国へ行く前ほんのちょっと韓国語を勉強したのですが
ka,na,ta,ra,ma,pa,saとか（笑）ほんの愛嬌程度。
とにかく発音が難しかったです。
激音とか鼻音とか舌側音とか口蓋音とか…
それさえマスターできれば、語順が日本語と同じなので
とても馴染みやすいと思いました。
今にして思えばもっとちゃんと勉強しておくのだったと非常に後悔しています。
今からじゃ韓流ブームに乗ったおばさんと思われるのがイヤで
やるにやれなくなってしまいました。
そうなんだぁ。韓国の方が聞いてみて、浩市さんの発音はとてもよいのですね。
思えば、今回の「海猫」でも北海道弁はとても自然でしたし、
耳がいいのかなぁ。語学の才能があるのかもしれませんね。
>It's a very long story. When J-Culture first opened
>up, Odoru Daisousasen was shown and I quite liked
>the movie because it was very different from Korean
>style of humor. So I picked Oda Yuji, ordered a lot
>of his works from Japan and started to learn Japanese.
>Then I got to see WHITEOUT and honestly don't remember
>much of his face because he was so much hidden under
>his hair and beard.
「ホワイトアウト」の浩市さんは長年のファンが見ても
最初誰だか分からなかったと思います（笑）
But his voice was very good, so
>I picked SUBARASHIKIGANA JINSEI and he was very
>different there! I didn't speak much Japanese then
>so had a lot of trouble figuring out the story, but
>I thought he must be a very good actor to make such
>turnoround.
浩市さんの声は本当に素敵ですね。ファンは皆そう思っているのではないでしょうか？
「素晴らしきかな人生」の新平ちゃんは「ホワイトアウト」の宇津木とは
１８０度違うキャラクターですものね。びっくりしたことでしょう。
でも様々な役を演じ、それがすべて自然に見える所が
佐藤浩市のすごい所だと思います。
After KT (I am a big fan of SAKAMOTO
>JUNJI kandoku) I became Sato Koich's big fan, dropped
>Oda Yuji and started collecting his works. I like the
>way he is portrayed in SAKAMOTO kandoku's movies
>because he doesn't get the typically sexy character.
>He is very sexy, but I feel that other directors
>tend to waste his talent with unnecessary love scenes
>etc, while Sakamoto Kandoku gives him lots of
>opportunities to explore his talent as a good actor.
>TOKAREP, KAO, KT, SHIN JINGINAKI TATAKI were all
>very nice.
もうCathyさん素晴らしいです！
日本のファンと全く同じ視点で語って下さってうれしくなってしまいました。
私も阪本監督作品の浩市さんが大好きなので
来年公開の「亡国のイージス」をとても楽しみにしています。
KONIN and CHUSINGURA GAIDEN YOTSUYA
>KAIDAN were good too. From dramas, KOIBITOYO was
>the best I've seen yet, I am really looking forward
>to its DVD release in December. TENGOKUENO KAIDAN
>was also very nicely shot but the story was a little
>hard to follow.
この感想にも私は同感です。
浩市さんに求めているものが似ているのかもしれませんね。
>P.S. He's got very good eyes. Hasn't he?
もちろん！
皆あの眼にやられているのだと思いますよ(*ﾟｰﾟ*)
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江原道のファンデーションだそうです。
